Raquel Rojo Carrillo, From the Hispanic rite to the Franco-Roman rite: Musical notation and liturgical change

APPENDIX 1 - NEUME TABLES

BL48 (Franco-Roman rite, Silense notation)

N

1.

200r
2.

5r
3.

6r
4.

7v
5.

5r
6.

15r
7.

200v

NH

1.

29v
2.

141r
3.

14r
4.

29r
5.

22r
6.

5v
7.

6r
8.

208v
9.

155r
10.

5r
11.

141r
12.

6r
13.

8r
14.

12v
15.

102v
16.

8r
17.

173v
18.

173v
19.

171r

17. Column a, line 9, “pauli” [epiphonus]

18. Column b, line 5, “surge” [epiphonus]

19. Column b, line 3, “servare” [epiphonus]

NHH

1.

7v
2.

6r
3.

5r
4.

36r
5.

10v
6.

16r
7.

180r
8.

170v
9.

35v
10.

122r
11.

207r
12.

240v
13.

8r
14.

159v

NHHH

1.

11v
2.

25r
3.

8r
4.

6r
5.

5r
6.

33v

NHHS
7.

163v

NHUS
8.

24v

NHHH+ gapped

NHHHH
1.

163r
2.

9r
3.

150v

1. Lines from top belong to letters


NHHHL
4.

146v
5.

226r
6.

148v
7.

182v
8.

14v
9.

238v
10.

155v
11.

29v
12.

163v
13.

110v
14.

212v
15.

200v

14. Lines from top and bottom come from letters


NHHHHL
16.

159r

NHHHLLL
17.

204v

NHHH+ joined

[No cases]

NHHL

1.

171v
2.

12r
3.

5r
4.

143r
5.

9v
6.

141v
7.

14r
8.

187v
9.

12r
10.

6r
11.

209v
12.

148r/a/4
13.

277v
14.

154r
15.

110r
16.

30v
17.

33v
18.

17r
19.

8v
20.

221r

NHH(L/D)+

NHHDH
1.

8r
2.

8r

NHHDH?
3.

11v

NHHDH
4.

171v

NHHLH
5.

276r
6.

6r
7.

141r
8.

211v
9.

174v
10.

163r
11.

182r
12.

6r/2
13.

10r/1/4
14.

36v
15.

101r

NHHLL
16.

6r
17.

141v/a/3
18.

8r
19.

21r
20.

29v
21.

159r
22.

176v
23.

36v
24.

29r
25.

30r
26.

237v

NHHDHL
27.

119v

NHHLUL1
28.

135v

NHHLLH
29.

17v
30.

216v
31.

141v
32.

36r
33.

26v
34.

104v
35.

237v
36.

166v
37.

165v

NHHLLL
38.

8r
39.

237v
40.

151r
41.

162v
42.

225v
43.

25r
44.

23v

NHHLLLH
45.

225v
46.

219r
47.

31r

NHHLLLL
48.

126r
49.

186v

NH(L/D)

NUL
1.

148r

NHL
2.

143r
3.

12r
4.

9r
5.

253r
6.

164v
7.

170r
8.

12v
9.

181v
10.

25r
11.

223r
12.

171r
13.

8r
14.

16v/
15.

174v
16.

102v
17.

5r
18.

21r
19.

260v
20.

11r
21.

203r
22.

170v
23.

177v
24.

165v
25.

163r
26.

141r
27.

127r
28.

141r
29.

9r
30.

16r
31.

24r
32.

8r
33.

167v
34.

6r
35.

268r
36.

141r
37.

25r
38.

105r
39.

5r
40.

5r
41.

5r
42.

154r
43.

33r
44.

141r
45.

141r
46.

23v
47.

15v
48.

167r
49.

174r
50.

185r
51.

104r
52.

171v
53.

9r
54.

8v
55.

127r
56.

106v

41. Curved line on bottom is part of a textual abbreviation sign


NHS
57.

9r

NH(L/D)(H/U)(+)

NHLH
1.

17v
2.

141v
3.

32v
4.

176r
5.

180v
6.

154r
7.

8r
8.

143r
9.

151r
10.

5r
11.

9r
12.

30r
13.

204v
14.

11r
15.

5r
16.

102v

9. Gap is owed to dry line, not deliberate

NHLL(+)

NHLL
1.

159r
2.

9r
3.

141v
4.

12v
5.

220r
6.

209v
7.

6r
8.

5r
9.

8r
10.

150r
11.

11v
12.

9r
13.

8r
14.

31r

NULL
15.

110r

NHLL
16.

174v
17.

227v
18.

171r

NHLLH
19.

12r
20.

9r
21.

6r
22.

138r
23.

17v
24.

147v
25.

30r
26.

178v
27.

6r
28.

29r
29.

237v
30.

21r
31.

202r

22. The lines on the left of the second virga are typos, BL50 has in the same place:

29. Last punctum is not part of the neume


NHLLL
32.

141r2
33.

209v2
34.

141v2
35.

6r2
36.

141r
37.

21r
38.

101r

NHLL
39.

29v

NHLLLH
40.

8r
41.

10r
42.

146v
43.

5v
44.

8v
45.

114v

NHLLLL
46.

7v/
47.

146v
48.

205r
49.

164r
50.

8v
51.

239r
52.

127v

52. Dots on top corner and right side are not part of this neume


NHLLLHH
53.

27r

NHLLLLH
54.

163r

NHS(+)1

NHS
1.

141r
2.

102v

NHHS
3.

11v

NHSS
4.

8r

NUH(+)

NUH
1.

159r
2.

14r1

NUHL
3.

164r
4.

6r
5.

178r

NUHLH
6.

106v
7.

213v

NUU(+)

NUULH
1.

24r
Cognates in BL47 and BL50 have and

NUUL
2.

15r
3.

31v
4.

22v

NUL(+)

NUL
1.

154r
2.

225v
3.

225v
4.

5v/3
5.

33v
6.

180v
7.

125r

NULH
8.

175r
9.

22v
10.

22v

NULHDH
11.

147v

NL

1.

32v
2.

29r
3.

162v
4.

8r
5.

6r
6.

5r
7.

9r
8.

17v
9.

5v
10.

5r
11.

5r
12.

8r
13.

8r
14.

141r
15.

225v
16.

9r
17.

14r
18.

7v
19.

14v
20.

5v
21.

185r
22.

24v
23.

202v
24.

174v
25.

8r
26.

154r
27.

8v/1/4
28.

154v
29.

162r
30.

29r
31.

163r
32.

34v
33.

141v
34.

168v
35.

184r
36.

27v

32. Column 2, line 9, “attendebat” [cephalicus]

33. Column 2, line 3, “alleluia” [cephalicus]

34. Column 2, third line from end, “surge” [cephalicus]

35. Column 1, line 1, “bartolomee” [cephalicus]

36. Column 2, line 2, “erat verbum” [cephalicus]

NLL(+)

NLL
1.

141r
2.

6v
3.

36r
4.

6r
5.

147r
6.

150r
7.

164v
8.

170v
9.

226v
10.

224r

NLLH
11.

141r
12.

5v
13.

5r
14.

146r
15.

18r
16.

6r
17.

34r
18.

167r
19.

174v

NLLL
20.

5r
21.

102v
22.

102v
23.

134r
24.

13r
25.

184r
26.

29r
27.

9v
28.

179v
29.

40v
30.

189r
31.

237v
32.

273v
33.

273v

NLLLH
34.

101r
35.

9r
36.

147v

NLLH
37.

224r

NLLLL
38.

145v
39.

163r

NLLHLLH
40.

21r

NLLLLHL
41.

202v

41. Column 2, 2nd line from end, “Cherubim quoque” [ends with cephalicus]

N(L/D)(H/U)(+)

NLH
1.

269r
2.

22v
3.

9r
4.

5v
5.

14r
6.

8v
7.

13v
8.

146r
9.

224r
10.

8v
11.

37v

NDHH
12.

9v

NLHL
13.

102v

NDH
14.

141r

NDHL
15.

181v
16.

16r

NLUL1
17.

14v
18.

170v
19.

173r
20.

143r
21.

6r
22.

22v
23.

187r
24.

12v
25.

141v
26.

268v
27.

175r

NDHLL
28.

17r

NS(S+)

NU
1.

188v

NS
2.

6r
3.

5v
4.

187r

NSS
5.

23r

NSSHL
6.

8r

NSH

1.

15r
2.

17v
3.

141r

NSH(+)

NSHL
1.

9r
2.

21r

NSUL
3.

6r
4.

5r
5.

5r
6.

107v

NSHLH
7.

30v

NSL(+) [not present in HR]

NSL
1.

8v
2.

226v
3.

35v

NSLH
4.

9r

NSLL
5.

17r

NSLLH
6.

40v

NSLLL
7.

36v

Additional signs

No. Image Possible meaning and location
1. , , , ,
To indicate place where text and/or music are missing, and prior writing down such text and/or music on margin, e.g. on ff. 12r and 33v, 160r, 164v
2. To indicate, that two words are not in the right place (placed under each of these words), e.g. 184r
3. , , Bâtonnets, e.g. 147r, 14r, 92v
4. Under “gloria”, e.g. f. 218v
5. Over text using the same ink as text (not as neumes), but not clear what the meaning is (only seen on f. 29r)

Footnotes

  1. Melodic reading resulting from recent studies carried out by Dr Francisco M. Camas for the ERC-funded project RESOUND. These studies compare BL50 chants with diastematic cognates. I am grateful to Dr Camas for sharing the preliminary results of his work prior to its publication. I also thank Dr Paloma Gutiérrez del Arroyo, also from the RESOUND project, for discussing the melodic readings of these neumes with Dr Camas and me.
  2. Francisco M. Camas’s comparative work suggests that some gapped NHLLL shapes could stand for NSLLL.